No filler here — just 33 minutes of twerk-core, hip-hop self-love anthems, torchy soul ballads, plus the occasional moment where she busts out her inner Tull to play flute hero. Frankly, its sheen is off-putting at first. And the bill comes due with a vengeance. It sounds like cold comfort. Sweetener was an ambitious artist crafting a self-consciously wide-scale pop statement and, coming just six months later, Thank U, Next turns out to be her best album yet. Thank U, Next is just a woman and a mood, taking that mood out for a drive until she pedal-to-the-metals it right off a cliff.
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The following is a list of albums released in The albums should be notable which is defined as significant coverage from reliable sources that are independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see in music. From Wikipedia, the free encyclopedia. Wikipedia list article.
Lana Del Rey – Norman Fucking Rockwell!
Fri 20 Dec Those sounds are more than just another layer of Americana cosplay: her obsession with American archetypes, once dismissed as superficial, has matured into an acute understanding of how they are created and frustration at what they conceal. A subtly defiant assertion that Del Rey is here for the long haul, no matter what. Laura Snapes Read the full review.
In a hyperspeed world, it is increasingly meaningful to sit with the vision of one artist for an extended period of time. From drowsy hip-hop to pitch-perfect pop, albums of all genres felt more profound than ever. Synthesizing devastating breakups and calling for revolution in every style of sound, these albums went all-in on what matters. Listen to selections from this list on our Spotify playlist and Apple Music playlist. All releases featured here are independently selected by our editors. When you buy something through our retail links, however, Pitchfork may earn an affiliate commission. British electronic producer Sam Shepherd has always exerted remarkable control over his meticulous musical output as Floating Points: With his favored instrument, the Buchla modular synthesizer, he can contour sound waves and alter circuitry to suit his needs. But Shepherd, like the rest of us, has comparatively little control over his input, and the chaos of the past three years—Brexit, Trump—shook something loose inside him. Out came Crush, a record that vibrates with sadness and anger, buoyed by squelching melodies that flutter and pop. The album is a wonderful scenario for an artist a decade into their career: a rewarding balance of consistency and growth, with subtle experimentation instead of the common midcareer misstep of transparently grabbing for radio play.